Sunday, October 04, 2015
April 19 was a dim day in Las Vegas, Nevada, as two of its legendary designers from the glory days of neon signs passed away within hours of each other.
Betty Willis, Birth Mother of “Fabulous”
Brian “Buzz” Leming, Pioneer and Preservationist
Thursday, October 01, 2015
The art deco sign stood watch for nearly 80 years over the bar two stories above the subway on the corner of 60th and Lexington. Then in an instant last fall, it was gone.“In the past few years, we have been able to save three significant signs, and we saved them because all the businesses that had these signs also owned their buildings,” said Jeff Friedman, a craftsman with Let There Be Neon, the go-to rescuer and creator of custom neon in New York. “The care and interest of these signs is never there when the new owners take over the buildings.Read More
Twin Cities Public Television's "MN Originals," which "celebrates Minnesota's creative community," just aired an episode featuring an excellent segment (see below) on Matt Thompson, a glassblower who has been making neon signs for 30 years.
The segment shows Thompson explaining his apprenticeship learning the art of glassblowing and neon signage, which, it turns out, is a surprisingly old-fashioned art. The video also includes lots of footage of Thompson carefully heating, bending, and blowing phosphor-coated glass tubes, which (be honest!) is what you're here for. The brilliant colors come from a combination of the phosphorescent coating of the glass and the introduction of neon (or neon mixed with argon and a drop of mercury) into the bent tubes.Read More
Making neon signs is a dangerous art. Glass tubes heated to 1,400 degrees can shatter, sending razor-sharp shards into the hands of an artist whose concentration has flickered momentarily. Neon artists gamble on skill, eye, focus and a deft touch every time they make a beautiful sign for a restaurant, bar, car wash or other business that craves this form of eye candy.
Ortwein Signs has taken that gamble several times a week for more than 90 years. Founded in 1923 by a German immigrant to Chattanooga named Ortwein, it now has locations in Knoxville and Nashville.
Neon signs are making a comeback in the area thanks to hipsters, he says, those urban millennials who love neon for the artisan talent, old-school handcrafting and unearthly glow, like starlight captured in a bottle.
A few weeks ago, Kelly Mark was online, searching for some photos of a neon artwork she had made for a client, a shop in Seattle. She wasn’t happy with the images she had and hoped social media, with its appetite for ubiquitous documentation, might provide better.
It provided something else, though.
“I did a Google image search of ‘Kelly Mark’ and ‘neon,’” she said. “Fifty images came up right away. Immediately, I knew one of them wasn’t mine.” Read More
We’ve seen them glowing on New York City theater billboards, Las Vegas casinos and Hong Kong high-rises. They cast unbidden light and shadow into restaurants and homes and are a part of the daily scenery for millions. But neon signs, once a vital part of a city’s culture and barometer for its economic climate, are fading out of sight as the once-popular technology disappears from the streets.
An online exhibition tells the story of neon’s history, which began purely by accident.Read More
Neon signs are a dying art, but one man is keeping the Vancouver night bright.
In Bending Light, Vancouver-based filmmaker Stray Matter takes a look at the work of Andrew Hibbs. Hibbs is the owner and operator of Endeavour Neon, one of the handful of companies in Vancouver still making neon signs. Read More
An alphabet soup of letters on a wire pallet on the back of a truck await installation recently on the neon sign outside the Observer Publishing Co. building on South Main Street in Washington. The glass tubing of the “R” and “S” in the word “Observer” later cracked. “Technical difficulties,” said sign technician Anthony Sibert, left. “Once it's installed, it's solid” and impervious to weather, said Brian Price, right. Sibert said the old glass tubing removed from the 1940s sign was so thick that he “could throw it across the street and it wouldn't break.” read more
Chris Fraser's 2015 sculpture "Mobile | 0û, 90û, 90û | Argon and Neon" appears in "Chris Fraser: Animated" through Oct. 31 at Gallery Wendi Norris. Credit: Chris Fraser and Gallery Wendi NorrisThe patterns created by the layered chain-link overpasses became so compelling they could have been hazardous to the artist’s health. “I started to notice it everywhere, and I started to think how utterly dangerous it is to have people attuned to it while driving,” says Fraser, 37. “It’s a barrier that doesn’t announce itself, but when you put two sets of like patterns next to each other, they start to have this conversation with you, about how fast you’re moving.”read more
British artist Martin Creed has used the same phrase in a number of neon artworks in cities like New York, Rome and Detroit.
n "ironic" and defiant message of hope is gleaming across central Christchurch in blazing neon letters more than a metre tall.
The city's latest public artwork delivers its multi-coloured message in block capitals: EVERYTHING IS GOING TO BE ALRIGHT.
The permanent 46-metre long pronouncement, created for the city by prestigious British artist Martin Creed, was installed on the Worcester Boulevard facade of the Christchurch Art Gallery last week and was officially lit up on Saturday evening. read more